Cembalokonzert c-moll BWV 1062 [2Cemb,Str,Bc] 15' Soli: 2Cemb ? Str Partie séparée de clavecin 1

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Bach: Complete Organ Works Vol. 7 Orgelbüchlein - with CD-ROM - ed. by Sven Hiemke Of great practical value ?This edition has everything it takes to replace the Griepenkerl edition for practical music-making,? opined Rainer Goede (in ?kirchmusik.de?) immediately after the release of Volumes 5 and 6. If such a high degree of practical value is attested to these two volumes, then Volume 7 can proudly claim to have the highest practical value of all, since it has the greatest scope of all the volumes. After all, no organist can do without the basic repertoire of the 45 chorale preludes. Edited by Sven Hiemke, the book offers the best possible prerequisites for everyday use. The musical text is as faithful to the sources as possible, and it preserves Bach?s graphic idiosyncrasies in the beaming of eighth notes and sixteenth notes. Furthermore, the chorales are reproduced on three staves, which is fully in keeping with the practice of the Bach era ? but not with the source, however, since the composer himself notated the pieces of the ?Orgelbüchlein? on two staves, either for reasons of economy or for lack of space. The enclosed CD-ROM contains early versions and anonymous arrangements which should encourage organists to explore this repertoire in greater depth.

23 Famous Piano Pieces-The Indispensable Bach Collection contains 23 of Bach's most famous pieces arranged for solo Piano. Pieces include: Invention No. 1 in C Major BWV 772 Invention No. 2 in C minor BWV 773 Invention No. 4 in D minor BWV 775 Invention No. 8 in F Major BWV 779 Invention No. 13 in A minor BWV 784 Gigue from English Suite No. 5 in E minor BWV 810 Courante from French Suite No. 2 in C minor BWV 813 Allemande fromFrench Suite No. 3 in B minor BWV 814 Gavotte and Bourrée from French Suite No. 5 in G Major BWV 816 Prelude from Partita No. 1 in B-flat major BWV 825 Sarabande from Partita No. 2 in C minor BWV 826 Rondeau fromPartita No. 2 in C minor BWV 826 Prelude and Fugue No. 1 in C Major from The Well-Tempered Clavier Book 1 BWV 846 Prelude and Fugue No. 2 in C minor from The Well-Tempered Clavier Book 1 BWV 847 Prelude and Fugue No. 3 inC-sharp Major from The Well-Tempered Clavier Book 1 BWV 848 Prelude and Fugue No. 17 in A-flat Major from The Well-Tempered Clavier Book 1 BWV 862 Prelude and Fugue No. 21 in B-flat Major from The Well-Tempered Clavier Book 1BWV 866 Prelude in C Major BW 924 Prelude in D minor BWV 926 Prelude in C Major BWV 939 Prelude in C minor BWV 999 Aria da capo from Goldberg Variations BWV 988.

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 62/ Répertoire / Solistes SATB, Choeur SATB, (Cto), 2 Hautbois, Ins

If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello.The concerto in D minor (BWV 1043) for two violins string orchestra and continuo by Johann Sebastian Bach (1685-1750) is one of his most loved works. Indeed the slow movement may be one of the most popular and loved pieces in the instrumental literature. Traditionally it is believed to have been written in Köthen where he held the position of 'fürstlischer Kapellmeister' from 1717-1723 a town that saw the birth of the Brandenburg concertos and the solo works for violin and cello. The Dorian church mode (the absent Bflat in the key of Dminor) would also speak for the younger Bach. Recent research however has shown that the orchestral parts carefully written out by Bach himself and found among the papers of his son Carl Philip Emanuel date from around 1730. The sophistication of the composition also speaks for a later date than Köthen. The original score has been lost.Always in need of concert material for his 'Collegium Musicus' in Leipzig Bach made a version of the present concerto for two harpsichords (BWV 1062). The original key was transposed to C minor so that the top note would not exceed a D but remain within the range of a standard harpsichord. Another C minor concerto (BWV 1060) for two harpsi-chords often heard in an arrangement from the 1920's for violin and oboe by Max Schneider and Max Seiffert speaks for two concertos in D minor for two violins by Bach.When arranging an orchestral score for the pianoforte one has to remember that a double-bass sounds an octave lower than notated. This is a welcomed fact when dealing with two instruments that play the original solo parts an octave down. At the same time for a transcription of this kind the ambition must be to avoid the cello soloists playing in octaves with the violin tutti parts - which is what would happen were they to share the same material. This ambition made a piano reduction

Hormis les diverses corrections insignifiantes concernant des altérations et l'ornementation, cette révision de 1997 de Bach Welltempered Clavier contient une correction remarquable dans le texte musical de prélude mineure b qui a jusqu'à présent pas été inclus dans une édition moderne. La présente édition de Urtext Wiener s'écarte de l'autographe qui semble erronée en bar 11 et a été révisée jamais de Bach lui-même et suit plutôt la version primitive musicalement plus logique qui est appuyée par une correction par J.Fr. Agricola datant de ses études avec Bach (ca. 1740). / Piano / Partition

Edition with fingering Compositeur : Bach, Johann Sebastian Instrumentation : Piano solo Editeur Musicologique : Heinemann, Ernst-Günter Couverture Brochée Contenu : Prelude and Fugue BWV 846 Prelude and Fugue BWV 847 Prelude and Fugue BWV 848 Prelude and Fugue BWV 849 Prelude and Fugue BWV 850 Prelude and Fugue BWV 851 Prelude and Fugue BWV 852 Prelude and Fugue BWV 853 Prelude and Fugue BWV 854 Prelude and Fugue BWV 855 Prelude and Fugue BWV 856 Prelude and Fugue BWV 857 Prelude and Fugue BWV 858 Prelude and Fugue BWV 859 Prelude and Fugue BWV 860 Prelude and Fugue BWV 861 Prelude and Fugue BWV 862 Prelude and Fugue BWV 863 Prelude and Fugue BWV 864 Prelude and Fugue BWV 865 Prelude and Fugue BWV 866 Prelude and Fugue BWV 867 Prelude and Fugue BWV 868 Prelude and Fugue BWV 869

Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour flûte de Johann Sebastian Bach que Barthold Kuijken a préparé. Les chercheurs ont longtemps douté de la paternité de ce travail pour des raisons stylistiques, même si les pièces de performance de la principale source ont été écrits par Bach lui-même, mais malheureusement il a oublié, ou n'ont pas jugé nécessaire, d'ajouter son nom à la musique. Kuijken roule quelques arguments convaincants qui réfutent la thèse selon laquelle le jeune Carl Philipp Emanuel Bach a travaillé sur la version trio de la Sonate pour violon BWV 1022. L'édition examine également une variété de nouvelles découvertes sur l'origine de l'oeuvre dans la préface, et offre un Urtext irréprochable avec une partie style magistralement réalisé continuo, tous reflétant les normes les plus élevées de rédaction. / Musique De Chambre

2 Pieces Arranged for 5-String Banjo-The banjo shares many of the same sonic qualities as a harpsichord so although it's so closely associated with more homespun genres the instrument actually lends itself very well to classical music! The pieces in Bach for Banjo are in tablature only with chord symbols arranged at the beginning to intermediate level for five-string banjo players. As in classical guitar arrangements the melody and harmony are combined. Most pieces are on facing pages with no page turns required and beginners can pick through the selections at a slow pace. The book features just the best-known parts of 20 beloved Bach pieces: Air on the G String · Arioso · Minuet in G · Sheep May Safely Graze· Sleepers Awake · and more.